Saturday, September 6, 2008

Just Another Season

The New Year really begins in the Fall.


With the start of school is also the approach of winter. Settled back into a home after a summer of outdoor play and travel, the approach of winter looms. Like squirrels gathering nuts, people prepare for the long, cold days ahead.

Conventional wisdom may say that Spring is a carpenter’s busiest season, but my experience has consistently logged the longest hours in the Fall. Projects conceived when the snow melted, were designed, priced and redesigned in June, then put on hold. Now settling back into cramped quarters, jobs are rushed into production to be finished before family arrives at Thanksgiving.

This year, uncertainty about the Election and fears for the economy have changed the landscape. After years of flourishing under the lights of low interest rates and high confidence, the ripe additions are not so abundant for the picking. Instead, people are taking stock and just making the necessary repairs to protect their investment.

In truth, the majority of builders have seen a lot of good years where the biggest problem has been finding the labor needed to construct the wealth of projects contracted. One had the luxury to pick and choose, be too busy to answer new calls, and enjoy profits that only seem appropriate for such hard work.

For some, it is the only season they have known.

Now, it is easy—like breathing the crisp air that turns leaves to brilliant colors before falling off—to smell the panic. Men swaggering in big new pick-ups two years ago are sweating their payment due next week. Others, who have enjoyed the paycheck every Friday working for someone else, are suddenly on their own, with little ability or experience to know how to take off their nail belt to turn over stones. The signs that advertised hiring have been taken down and stored away.

I hate to admit I have been doing this long enough to have survived several such downturns. The good news is that I have learned that it is a cycle and will eventually turn upwards again. Those signs to hire will eventually be brought back out.

In the meantime, we have to tighten our nail belts and work harder to distinguish ourselves from the next guy. Tough choices must be made to retain the best of your crew, laying off the less productive, no matter how many mouths they might have at home to feed. Spend more time in the field and save office work for the evenings, side-by-side with your kids doing schoolwork. Relentless attention to detail will trim wasteful habits and secure a profitable job against competition. Creative financing may ease troublesome debt.

Having been through it before makes it no easier. Ideally, in the good times, one has stashed some money aside, and diversified the kind of work in the portfolio as well as the kind of client for whom it is done. Ultimately, the ones who have maintained marketing strategies, even though the Good Times felt too busy to have the time to spare, are the ones with phones that will continue to ring.

Please share with your friends

Friday, July 18, 2008

For the Sake of Fun

So focused on my other blog, I recognize and acknowledge my lack of attention here.

In actuality, while absorbed in the lofty thoughts of heart by night, my days have been methodically constructed around carpentry projects, hour by hour, just doing the work. In completing projects with my own dirty and recalloused hands, I better understand my problems when at the lead of a much larger business.


To really be effective in any endeavor, there must be an element of fun. Responsible for the livelihood of 6 to 10 others, the overwhelming pressure to find work and produce it efficiently under mounting debt smothered rare moments of satisfaction and enjoyment. There was no time for pride or celebration.

In these past months, I have been working alone, or alongside friends who need the help and guidance to improve their homes. In addition to earnings without liability beyond my own two hands, I am able to rediscover the pleasure, sweeping up at the end of the day, of a job well done, day by day, hour by hour. There is an exquisite moment, just before driving off into the homelife, of accomplishment, of plans working out, of measurable progress.

Usually distracted in my life by larger concerns of family, our own home and mortgage, dreams of vacations, and even bigger dreams of someday being the Writer I always wanted to be, the actual tasks of carpentry have been, for me, but means to an end. Not really in stride with the tools in hand, I could recite the adage “measure twice, cut once”, even go through the motions of measuring a third time (having been interrupted by a question), and still get the cut wrong.

Better to leave the carpentry to the ones who really want to do it, I thought, and focused on design and sales. I drew great plans, supported by charts and spreadsheets that no one else actually understood as clearly, and in a booming economy, hired any guy with tools who answered the desperate ads to fill crews to finish all the jobs I could get started.

No matter the impressive portfolio that was built, so very little of it turned out to be any fun.


I miss the big projects, the large and beautiful additions, the buzz of activity on job sites, the line of pick-ups parked in the yard. Honestly, I really enjoyed driving up to answer questions, point fingers, and run off to attend to another site. I tried to be clear that I did not have all the answers, that I was just a facilitator, part of a team, but the truth is that the job needs a leader, someone in touch with every detail, someone who can prevent mistakes, and fixes them quickly with authority, demanding accountability when they happen anyway.

Today, I finish a kitchen. I have installed every cabinet, set every screw, laid every piece of flooring. The job is not perfect if one looks closely enough. I know where the scratches are and the excessive caulk that filled a gap. Even so, my friends will enjoy years of meals here, watch their grandchildren grow. Many, many more scratches will appear.


More importantly, although I would love to redo a couple of measurements and cuts, I will remember this kitchen fondly, the feeling each day of contentment and the tools in hand.

And wouldn’t you know, last night in a casual conversation about something else, I was asked to design an addition.

Please share with your friends

Sunday, May 25, 2008





On every construction site, a little Grace should fall

Please share with your friends

Friday, May 23, 2008

Open or Closed Doors

As long as there is work to be done (and there always will be, remembering that shelter is a basic necessity), people will have to consider the difference s between Fixed Price and Cost Plus contracts.

The first is exactly as it implies: the contractor commits to a scope of work for a specific dollar amount and completes it, no matter the cost to him. Cost Plus (also known as “Labor and Materials”) charges for every invoice incurred, plus a percentage, and labor at an hourly rate.

No easy answer is available here to client or contractors. Pros and cons for both are so complex that ultimately each can be considered for any size or shape of project. The contractor, in theory, having more experience, can be prepared for both, and direct the client towards the one that is most advantageous to the circumstances.

At first glance, the one paying gravitates to a Fixed Price. You go to the store, pick out a shirt, put the money down, and it is done. Conventional wisdom says construction always goes over budget so the client wants to nail it as firmly as sheathing to a rafter, and banks absolutely insist on eliminating the risk.

In this case, the builder makes a bet that he can twist his predictions into reality, trusting that he has considered every problem and counted every stick. Unfortunately, he has little room to wiggle out of a more expensive sub-contract or an over-looked detail. Constant renegotiation, no matter how legitimate, smacks of “nickels and dimes”, or “low-balling”, and alienates the relationship. It is usually better to absorb the losses in the hopes of higher profits.

In a Cost Plus contract, the dollars accumulate in direct proportion to the project, no risk to the builder who shows up, produces a kitchen and gets paid. Less potential for a “killing”, he also, in theory, pays his bills and can count on his own paycheck at the end of every week.

The risk now falls on the owner. Construction projects usually do run over budget, but more often by choice than by mistake. It might cost fairly what it costs, but the owner and builder must have pencils sharp enough to pay for it all.

Size of the project and personalities of the parties play an important role in the choice of contract. As a rule of compromise, in new construction--which is so much easier to predict--a fixed price establishes a clean bill and an easy list of details with specific dollars attached. A remodel, potentially hiding surprises behind every existing wall, lends itself to the organic flexibility of a Cost Plus agreement.

How easily trust can be established in a few short and agenda-full meetings influences the choice. Ultimately, one’s comfort with risk is the ultimate decision.

Please share with your friends

Saturday, May 10, 2008

For Better or Worse

Once the scope has been established and the cost estimated, a contract must be written for the work. Many builders use—and often lawyers require—the standard AIA contract of many many pages. In my mind it really has too much verbiage and “boiler plate” legal phrases to have much bearing on your basic residential kitchen remodel.

A good contract can have a load of line items to define schedule, change orders, furniture protection, and snow removal. My list has grown along the way as a new problem is encountered.

The real point of the contract is to define the cost and scope of work so that owner and builder alike can have as much agreement as possible. Where decisions have been made, name brands and colors should be included. No detail is too small because at the end of the project, if they see red, it solves the dispute to point out that “red” was in the contract.

Without decisions, an allowance with a specific price marks the item for later adjustment. My contracts name a specific “builder’s grade” brand and standard color. When they upgrade (and the usually do), the cost is raised with a change order. In case they don’t, the product named in the allowance must be of sufficient quality that we both can live with.

While the owner naturally wants a start and finish date, too many variables are at play at either end to commit in a contract. Lawyers suggest a penalty clause, but that immediately transforms the project energy from teamwork to adversarial. The builder’s ability to stay in business is directly related to the list of satisfied customers, so he has strong incentive to ensure timely and efficient work.

Ultimately, the cost and a schedule of payments is the main purpose of the contract. It is easy to reach an agreement about what should be done physically, but who pays for what, how much and when is where disputes arise. Whether a Fixed Price or a Cost Plus contract (to be discussed in another entry), all of the detail helps to smooth an inheritantly rough and unpredictable process.

So much can change over the course of a project. Surprises lurk behind every wall. Crew availability fluctuates. The owners can divorce or even die. The contract with both signatures and all attachments, including drawings and budgets, proves a partnership to start. A line at the bottom that agrees to seek mediation before a jury, if trouble arrives, can restore that balance. A project completed is so much better than starting all over with a different horse and just another contract.

Please share with your friends

Sunday, April 27, 2008

Estimating

Back at home, the office, or the Home Office, it is important to set aside time without disturbance to estimate the project at hand. Careful consideration of all the details is required. An interruption could change a decimal point and make the difference between profit or loss, or getting the job at all.


As many ways as there are to build a house, there could be methods and styles for estimating. Rooted so much in the imagination of the builder and what is translated from that first meeting, I believe the process is highly individual—not only to the person, but to the particular project as well.

Again, I assert I am no more expert at this than 30 years of stumbling and bumbling and a large portfolio of work can allow. Happily, the several workshops attended in that time seem to support my system (or the lack of The One). And, as always, I would be grateful for any and all feedback on the subject.


Depending on the size, sometimes I will start with a map of the project. Home-owner friendly CAD programs, or projects large enough to afford a design, may greet me with drawings, but generally, there is little to work from besides a few pictures, rough measurements, and a concept communicated with little detail (and lots of wishes) from the owner

The map I actually draw is less “what” but “how”. Microsoft Project, or any software that produces a timeline, a path of progress, helps to establish focus and orders the tasks ahead. It also adds veracity to the prediction of “how long?” that immediately follows the answer to “How much?” at the next meeting with the prospective client.


In the “old” days, we sat with pencil and calculator, scratching out guesses of how many sticks, stones and buckets of paint were needed, tossed in a number of weeks, months or days, slapped on a contingency, and with a handshake and a reassuring smile, said it would cost what it costs. Now, the plethora of programs is overwhelming, and as many as I have flirted with, I find I am a dog in Midlife who is still open to others, but keeps returning to modify my earliest tricks, reassured that they are flexible enough to accurately estimate as well as anything can.

Over the years, my Excel spreadsheet has grown from a simple three column tabulation to a five page monster that can track actual costs as well as estimate, comparing successes and red-lining potential failures along the way. It begins with a data sheet (no previous entry is ever deleted—unless discovered to be dismally wrong!), pre-loaded by experience, measured in square feet, running feet, by the hour, or by the ton.

Here, the bulk of the work is estimated, and the potential for a catastrophic mistake looms large. Typically, the whole process, no matter the method, is set up with phases and categories that match the actual steps of building: pre-construction, foundation, framing, mechanicals, finishes. To me, it has always worked best to estimate by herding all the trades and deliveries through my mind in the order that they might appear on the actual site. A good process wants to trigger all those details in the hope that nothing is forgotten.


Once the numbers are tabulated, the information should be packaged into a clear and legible format. Gone are the days of scribbled contracts on the back of a napkin (it did truly happen that way sometimes). Computers allow for no end of pages of drawings, estimates, verbiage of cautions, and references to previous projects and happy customers. A fairly clear line runs between professional presentations and overkill to sell a countertop replacement. No matter how discerning a prospect may be about quality, the dollar, in the end, usually dictates the decision. Accuracy above all is critical, because there are many jobs not worth taking, if items must be clear-cut to win the contract.

In the end, for a remodel especially, somehow it must be communicated to the owner that the estimate is not a science, but more a “magic trick” to see through walls and rely on carpenters who have sick kids and transportation problems. Here, a much finer line between creating fear and instilling confidence is harder to balance, keeping those extra rooms for wiggles and giggles designed into the contract for their addition.

Please share with your friends

Friday, April 4, 2008

First Visit


Considering that a simple bath renovation can be $20,000 and a whole-house make-over ten times that amount, it is amazing how little time and money people have to make such a large decision. In actuality, the first visit can decide everything for the builder, including not being invited to return.

Amazingly also, often the most basic courtesies can be overlooked, or worse, ignored completely. I have a notorious reputation among my co-workers for being late (always trying to squeeze something else in), but for a client, I am usually complimented for being on time. Since cell phones have become a tool (and we really did manage to live without them), a call acknowledging 15 minutes of tardiness is actually impressive.

In the last ten years, it has become common that houses are “shoeless”, so removing them immediately, waiting to be asked, or tromping right off the last job site and splattering mud all over the carpet of this one gives the owner a lot of information. I know a contractor who whipped out medical booties upon arrival and immediately established his expensive-but-worth-it reputation.



Again, this is the time to get to know each other. The builder needs to get oriented to the house, learn a little about the client’s needs and their expectations. Owners also have a lot at stake when inviting a stranger into their home to make months’ worth of mess and (hopefully) clean it all up again better than ever before. Feel out how you might get along. Are you each understanding the other? Are the ideas translated accurately? Finding a common ground beyond the project creates a connection and the trust begins to grow.

Standing in the space to be renovated while chatting through introductions gives the builder a chance to eye the surrounding trim, measure up the style and characteristics to be matched. As the owners explain their thoguhts, reassurances and expressions of confidence draws out their enthusiasm. Perhaps a brain-storming suggestion leads them to simple solutions they had not envisioned on their own. In the best of circumstances, it is an open dialogue of questions and ideas to shape the scope of the project.


Only after the full tour and careful, focused listening is the tape measure produced. With a CAD program that requires accuracy, I take my time, sketching the floor plan and writing every pertinent measurement on my intake sheet. The owners feel useful holding the “dumb” end of the tape; others rush off to tend to children, leaving me to calculate alternatives and ponder scheduling issues.




This modern age has given us digital abilities to take all the pictures, angles and details we need to recall accurately the existing conditions a week and three other sites later. Being thorough, even if the work is limited to one room upstairs, it matters to see the electric panel to know if there are additiional circuts and no ancient wires. The heat system could have bearing on the plans, or a critical post directly below the renovation might be necessary.

How much to discuss the budget is a topic all on its own. Some people tend to hold their number closely, fearful that revealing it will raise the price to just over that amount. Others admit they have no clue what such ideas might cost (they usually balk and postpone). In actuality, I believe—being honest and forthright—that a discussion of the budget on the first visit is healthy. The builder gets a sense of how serious is the prospect. The client may get a reality check to temper their expectations.

Usually, the owner cannot resist asking for a “ballpark” estimate. This is extremely dangerous because no matter how informal their request may appear to be, an inaccurate number offered at this early stage can haunt the negotiations a year later. I have learned to quote in very ridiculously broad strokes ($50 to $100 thousand), gracefully exiting with a follow-up date and an agenda to narrow that number to within 10% on the next visit. Then, they're looking forward to my return.

Please share with your friends